{"id":1213,"date":"2025-09-19T15:48:00","date_gmt":"2025-09-19T10:18:00","guid":{"rendered":"https:\/\/mediaresearch.co.in\/?p=1213"},"modified":"2025-09-11T14:56:53","modified_gmt":"2025-09-11T09:26:53","slug":"conference-on-unmasking-gender-power-identity-and-privilege-in-film-at-university-of-salford","status":"publish","type":"post","link":"https:\/\/mediaresearch.co.in\/index.php\/conference-on-unmasking-gender-power-identity-and-privilege-in-film-at-university-of-salford\/conferences\/","title":{"rendered":"Conference on Unmasking Gender: Power, Identity, and Privilege in Film at University of Salford"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Exploring Gender in Cinema<\/h3>\n\n\n\n<p>The University of Salford, Manchester, UK, is set to host the conference <strong>\u201cUnmasking Gender: Power, Identity, Privilege in Film\u201d<\/strong> on <strong>10 December 2025<\/strong> at MediaCity. This significant event invites scholars, researchers, and practitioners to re-examine how cinema reflects and shapes our understanding of gender in contemporary society.<\/p>\n\n\n\n<p>The conference will feature a keynote by <strong>Professor Kirsty Fairclough<\/strong> from the School of Digital Arts (SODA), MMU, and will provide a platform for critical debates around gender, spectatorship, and representation in film.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Historical and Theoretical Background<\/h3>\n\n\n\n<p>Since the 1970s, feminist scholars have critically examined the portrayal of women in Hollywood cinema. Influential works such as Marjorie Rosen\u2019s <em>Popcorn Venus<\/em> (1973) and Molly Haskell\u2019s <em>From Reverence to Rape<\/em> (1974) highlighted the stereotypical and reductive roles assigned to women on screen.<\/p>\n\n\n\n<p>Building on these critiques, scholars like Claire Johnston and Laura Mulvey introduced concepts of counter-cinema, the male gaze, and female spectatorship, shaping film theory for decades. Others, such as Miriam Hansen and Mary Ann Doane, expanded on these ideas, exploring female desire, masquerade, and gendered spectatorship.<\/p>\n\n\n\n<p>By the late 20th century, cultural commentators turned their attention to masculinity in crisis. Writers such as Susan Faludi and Ros Coward questioned whether feminism had shifted societal power dynamics, raising concerns about male identity in changing socio-economic contexts.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">A Contemporary Re-Examination<\/h3>\n\n\n\n<p>In light of the #MeToo movement, shifting gender politics, and the rise of hypermasculine and anti-feminist narratives in digital spaces, this conference highlights the urgent need to revisit gender in cinema. Scholars are encouraged to critically analyze how contemporary film engages with portrayals of femininity, masculinity, and evolving notions of gender identity.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Suggested Themes for Papers<\/h3>\n\n\n\n<p>Contributors may explore a wide range of topics, including but not limited to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The status of cinematic masculinity and femininity today<\/li>\n\n\n\n<li>Challenging gender dominance on screen<\/li>\n\n\n\n<li>The female gaze, the male gaze, and spectatorship in modern cinema<\/li>\n\n\n\n<li>Gender stereotypes and identity formation in film<\/li>\n\n\n\n<li>Toxic masculinity and empowerment narratives on screen<\/li>\n\n\n\n<li>Gender and social change through cinema<\/li>\n\n\n\n<li>The impact of women and men filmmakers in shaping cinematic discourse<\/li>\n\n\n\n<li>The appropriation of cinematic texts by online communities, including the \u201cmanosphere\u201d<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Submission Guidelines<\/h3>\n\n\n\n<p>Please submit abstracts for individual papers (max 250 words) with presentation title, up to 5 key words, your full name, affiliation, 50 word biography, and email address to _<a href=\"mailto:conferencesalford@gmail.com\" target=\"_blank\" rel=\"noreferrer noopener\">conferencesalford@gmail.com<\/a><\/p>\n\n\n\n<p><strong>Submission deadline:<\/strong> 28 September 2025<br><strong>Notification of acceptance:<\/strong> 5 October 2025<\/p>\n\n\n\n<p>The conference welcomes <strong>practice-as-research presentations, screenings, and papers from postgraduate and early-career researchers<\/strong>. Selected papers will also be considered for publication. Importantly, there is <strong>no registration fee<\/strong> for participation.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-small-font-size\"><em>(The information shared here is sourced from official websites and has been reviewed by Media Research for relevance and authenticity. However, we advise caution, as there may still be potential risks. Please avoid sharing any sensitive personal information when applying. The Image is AI generated)<\/em><\/p>\n\n\n\n<p><strong>Media Research offers comprehensive research consultation tailored to your needs. Book your appointment now using the <a href=\"https:\/\/mediaresearch.co.in\/index.php\/consultation\/\" data-type=\"page\" data-id=\"145\">form<\/a> or email at <a class=\"\">contact@mediaresearch.co.in<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The University of Salford will host the conference Unmasking Gender: Power, Identity, Privilege in Film on 10 December 2025. With a keynote by Professor Kirsty Fairclough, the event invites papers exploring gender in cinema, including masculinity, femininity, spectatorship, and representation. Submission deadline: 28 September 2025.<\/p>\n","protected":false},"author":1,"featured_media":1214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,7],"tags":[10,101,22,23,195,150],"class_list":["post-1213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences","category-publications","tag-conference","tag-conference-and-special-issue","tag-media-research","tag-media-studies","tag-scopus","tag-scopus-list"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/mediaresearch.co.in\/wp-content\/uploads\/2025\/09\/Conference-Unmasking-Gender-Power-Identity-and-Privilege-in-Film-University-of-Salford.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/posts\/1213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/comments?post=1213"}],"version-history":[{"count":1,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/posts\/1213\/revisions"}],"predecessor-version":[{"id":1215,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/posts\/1213\/revisions\/1215"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/media\/1214"}],"wp:attachment":[{"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/media?parent=1213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/categories?post=1213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mediaresearch.co.in\/index.php\/wp-json\/wp\/v2\/tags?post=1213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}